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Associate Professor Verity Platt，Department of the History of Art at Cornell University（图）
Associate Professor Verity Platt Department of the History of Art at Cornell University
2015/11/10
Associate Professor Verity Platt，Department of the History of Art at Cornell University,Greek and Roman art. Research interests include the aesthetics of the sacred in antiquity; ancient theories of r...
One hundred years since the beginning of World War I and twelve-and-a-half years since September 11, the battles waged between nations and within them remind us that war is a constant companion.
Four international artists who work in constructed photography will feature in an exhibition opening at The University of Queensland Art Museum on Saturday 1 March.
The Sensory Intention -- Art, Motif, and Motivation: A Comparative Approach
caoshu Chinese art John Duns Scotus motif motivation
2009/8/31
Philosophers like Gilles Deleuze claimed a new outlook for aesthetics asking for a rethinking of the traditional separation between the theory of sensibility and the theory of art. From a comparative ...
An Alternative to the Intentional-Historical Definition of Art
aesthetic engagement environment cultural ecology ecosystem urbanization
2008/11/7
The idea of environment as an all-inclusive context in which humans are wholly interdependent with natural forces and other organic and inorganic objects applies equally to urban environments. Introd...
In this paper I argue that by any major definition of art many modern video gamesshould be considered art. Rather than defining art and defending video games based on a single contentious definition,...
Art and Embodiment: Biological and Phenomenological Contributions to Understanding Beauty and the Aesthetic
art embodiment biology phenomenology Baumgarten
2008/11/7
Increasing awareness of the crucial and complex role of the body in making and experiencing art has led to a diverse range of biological and phenomenological philosophies of art. The shared emphasis o...
Art Imitating Art
Danto Plato original copy indiscernibles
2008/11/7
Using as a contextual reference my experience of seeing the original and copy of Michelangelo's David in Florence, I briefly introduce how the Platonic legacy has affected that discourse. The Western...
This article considers the phenomenon of visual indeterminacy, which occurs when the sensory data gathered from the visual system cannot be integrated with semantic knowledge. A number of examples are...
Ethical Autonomism: The Work of Art as a Moral Agent
moral evaluation of art art as moral agent
2008/11/7
Much contemporary art seems morally out of control. Yet, philosophers seem to have trouble finding the right way to morally evaluate works of art. The debate between autonomists and moralists, I argue...
In this article I examine the relationship between Arthur Danto's philosophy of art and his practice of art criticism. Danto has said that he included many actual examples of discussions of art in The...
Immersive Contemplation in Video Art Environments
immersive contemplation proprioceptive immersion video environments
2008/11/7
This essay examines a form of video art -- what is called a "video environment" -- that calls upon as much as it departs from familiar conventions that are bound up in museum display. I argue that t...
Living Art, Defining Value: Artworks and Mere Real Things
artwork commodity contextualism empiricism intersubjective value
2008/11/6
In this essay I examine the conceptual difficulties generated by drawing a distinction between artworks and mere real things. I argue that the distinction is an unfortunate one, requiring for its op...
'Man Has Always Danced': Forays into the Origins of an Art Largely Forgotten by Philosophers
courtship displays kinetic semantics qualitative structure of movement
2008/11/6
Philosophers have had comparatively little to say of the art of dance, a surprising fact given the range of people both inside and outside of dance who have claimed that 'man has always danced.' This ...
Ontology, Criticism, and the Riddle of Art Versus Non-Art in The Transfiguration of the Commonplace
art criticism artifact definition of art
2008/11/6
In this "Reply to my Critics," I explain that The Transfiguration of the Commonplace was essentially a contribution to the ontology of art in which two necessary conditions emerge as essential to a re...