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Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)
Henry Burnett Roy Nitzberg Chromaticism Tonality
2009/10/16
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)。
Axis Tonality and Submediant in the Music of Shostakovich
Shostakovich third relations tonal pairing tonal axis submediant
2009/7/2
This essay explores third relations and tonal pairing in Shostakovich’s music by investigating several works through the lens of axis tonality, a concept developed by Joseph Straus for the music of St...
Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas
Edward D. Latham Tonality Drama
2008/12/1
[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Why must we provide a stage for the subject in musical analysis? For what reason must it be permissible for the subject to speak?
Common-tone Tonality in Italian Romantic Opera: An Introduction
Rossini Bellini Verdi Mozart opera tonal pairing directional tonality chromatic mediants sonorità mode Robert Bailey Pierluigi Petrobelli David Kopp Harold Powers
2008/3/1
Some compositional techniques usually associated with German Romantic music, such as tonal pairing and the frequent use of chromatic mediants, may have originated in Italian opera. These techniques ar...
Triadic Post-Tonality and Linear Chromaticism in the Music of Dmitri Shostakovich
Shostakovich symphonies piano trio chromaticism Soviet Neo-Riemannian Theory
2003/3/1
In his introduction to Shostakovich Studies, David Fanning wrote, "The most crucial lacuna in western understanding of Shostakovich's music concerns harmonic and tonal language." As analysts, we tend ...